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The pretenders don t get me wrong lyrics3/30/2023 ![]() ![]() Limbaugh said in 2011 that he chose it because of the irony of a conservative using such an anti-conservative song, though he mainly liked its "unmistakable, totally recognizable bass line." The roots derive from with Rush Limbaugh hosting a local radio show at KFBK in Sacramento, California in 1984, where the show stayed until 1988 when it became nationally syndicated under the EIB Network brand. The instrumental opening of the song (before Hynde's vocals appear at 36 seconds in) is best known as the opening theme of the EIB Network, an American conservative talk radio franchise that started in 1984 with Rush Limbaugh and since June 2021 has been hosted by Clay Travis and Buck Sexton. Ultimate Classic Rock critic Matt Wardlaw rated it the Pretenders all-time 4th greatest song, saying that it was inspired by "Hynde returning home after first finding success with the Pretenders and lamenting the many changes for the worse in her beloved former hometown." Ultimate Classic Rock critic Bryan Wawzenek rated it as drummer Martin Chambers' 4th best Pretenders songs, saying that the beat is "so simple, so stark, so basic – it’s brilliant." Use by the EIB Network The opening bass riff from this song "was something that Tony Butler used to play just as a warm-up," said Steve Churchyard, the engineer for the record. ![]() The song makes a number of specific references to places in and around Akron, Ohio including South Howard Street (line 5), the historic center of Akron which was leveled to make way for an urban plaza with three skyscrapers and two parking decks (line 8). ![]() The lyrics take the form of an autobiographical lament, with the singer returning to her childhood home of Ohio and discovering that rampant development had destroyed the "pretty countryside" of her youth. The song was written by Pretenders leader Chrissie Hynde, and reflected her growing interest in environmental and social concerns. It is sometimes referred to as "The Ohio Song" for its constant reference to the state. The song was included on the album Learning to Crawl, which was released in early 1984, and it became a radio favorite in the United States. The song originally appeared in October 1982 as the B-side to the single release of " Back on the Chain Gang" the single was the first release for the band following the death of founding bandmember James Honeyman-Scott. " My City Was Gone" is a song by the rock group The Pretenders. The ultimate Pretenders song and the prime example of Hynde’s flair for a winning melody and a catchy pop hook, “Brass in Pocket” became the first new number one of the 1980s and launched the band to almost overnight fame.1982 single by The Pretenders "My City Was Gone" Hynde’s bold and seductive vocal flipped rock’s traditional male posturing, with her dynamic band providing wonderfully assured backing. Yes, it’s one of those ubiquitous songs so familiar that you probably wouldn’t choose to play it at home very often, but when it comes on the radio or you inadvertently catch the video on the telly or YouTube, you can’t resist its funky swagger. There’s a beautiful melody, chiming riffs aplenty from Billy Bremner and characteristically warm vocals from Hynde, who celebrates her own resilience on a song that was a hit single in 1982. “Back on the Chain Gang” is both a moving elegy for Honeyman-Scott and a defiant statement from Hynde that, after the guitarist’s death and the departure of Pete Farndon in 1982 (he left the band before his death), The Pretenders were by no means finished. The identity of the subject of Hynde’s love and devotion is never made clear, but pop doesn’t come much more perfect or evocative than this, with her achingly tender vocal and Honeyman-Scott’s tremendous soloing – a sublime hybrid of Duane Eddy and Roy Orbison – elevating the song to classic status.Ģ) “Back on the Chain Gang” ( Learning to Crawl, 1984) Coming hard on the heels of their debut single, a lovely cover of the Kinks’ “Stop Your Sobbing”, The Pretenders retained that record’s sixties vibe for follow-up hit “Kid”. ![]()
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